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home·artworks·he Virgin and Child, in a Sculpted Cartouche, Surrounded by Garlands of Roses, Tulips, Carnations, Lillies and Other Flowers
he Virgin and Child, in a Sculpted Cartouche, Surrounded by Garlands of Roses, Tulips, Carnations, Lillies and Other Flowers by Jan van Kessel the Elder

plate no. 8164

he Virgin and Child, in a Sculpted Cartouche, Surrounded by Garlands of Roses, Tulips, Carnations, Lillies and Other Flowers

Jan van Kessel the Elder

oilBaroquereligious paintingflowersrosestulipsfigurereligiousgarland
experienced study

Recreating this painting will help students develop skills in layering, glazing, and rendering complex floral arrangements. It also provides practice in depicting human figures with subtle shading and highlights.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the cartouche and the central figures.

  2. step 02

    Lightly map out the placement of the major floral groupings.

  3. step 03

    Begin blocking in the background with dark, muted tones.

  4. step 04

    Establish the base colors for the skin tones of the figures.

  5. step 05

    Start layering the petals of the flowers, working from dark to light.

  6. step 06

    Add details to the leaves and stems, paying attention to their forms.

  7. step 07

    Refine the details of the figures, including facial features and drapery.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · crimson red · titanium white · ivory black · yellow ochre

secondary · sap green · ultramarine blue · burnt umber

Achieve the subtle floral hues by mixing primary colors with white and small amounts of secondary colors. Use glazes of transparent colors to build depth and luminosity.

techniques

  • ·layering
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →overworking the details too early
  • →creating muddy colors
  • →failing to establish a strong value structure
  • →inaccurate proportions of the figures

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium
  • ·mahl stick

Use high-quality oil paints for best results. Consider using a toned canvas to simplify the initial stages.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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