apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Haystacks Autumn
Haystacks Autumn by Jean-Francois Millet

plate no. 0846

Haystacks Autumn

Jean-Francois Millet, 1873

oil, canvasRealismlandscapehaystackssheeplandscapefieldskyclouds
some experience helpful

Recreating this painting will help students develop skills in creating atmospheric perspective and rendering textures with visible brushstrokes. It also offers practice in depicting a complex scene with many small elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the haystacks, sheep, and horizon line.

  2. step 02

    Block in the sky with broad strokes, establishing the dark and light areas of the clouds.

  3. step 03

    Establish the base colors for the field, varying the greens and browns to create depth.

  4. step 04

    Paint the haystacks, layering different shades of yellow, brown, and green to create texture.

  5. step 05

    Add the sheep, using small brushstrokes to suggest their forms and woolly texture.

  6. step 06

    Refine the details of the buildings in the background, using a smaller brush.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Glaze with thin layers of color to unify the painting and enhance the atmosphere.

color palette

primary · yellow ochre · burnt umber · ultramarine blue · titanium white

secondary · sap green · raw sienna

Mix greens by combining yellow ochre and ultramarine blue. Use burnt umber and ultramarine blue to create dark grays for the sky. Vary the tones of the field by mixing different proportions of yellow ochre, burnt umber, and sap green.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·broken color
  • ·glazing

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to create a sense of depth and atmosphere.
  • →Using too much detail in the background.
  • →Making the sheep too uniform and lacking individuality.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·#4 round brush
  • ·#8 flat brush
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy