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Haystack by Giovanni Fattori

plate no. 7651

Haystack

Giovanni Fattori, 1880

woodRealismlandscapebuildingtreeslandscapeskyfoliagehaystack
some experience helpful

Recreating this painting will help students develop skills in layering paint to create depth and texture, as well as understanding how to use a limited palette to achieve color harmony. It also provides practice in capturing the essence of a scene with loose, expressive brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes: the haystack, trees, and horizon line.

  2. step 02

    Block in the sky with a thin wash of blue and white.

  3. step 03

    Establish the main values of the haystack using burnt umber and raw sienna, focusing on light and shadow.

  4. step 04

    Add the dark masses of the trees, paying attention to their shapes and placement.

  5. step 05

    Begin layering greens and browns for the foliage in the foreground, using broken brushstrokes.

  6. step 06

    Refine the details of the haystack, adding texture and highlights.

  7. step 07

    Add details to the trees, suggesting leaves and branches with small, deliberate strokes.

  8. step 08

    Make final adjustments to the values and colors to create a sense of depth and atmosphere.

color palette

primary · burnt umber · raw sienna · titanium white · cerulean blue

secondary · sap green · yellow ochre

Mix various shades of brown by combining burnt umber and raw sienna. Create greens by mixing blue and yellow ochre, and adjust the value with white or umber.

techniques

  • ·dry brush texture
  • ·broken color
  • ·layering
  • ·scumbling
  • ·alla prima

common pitfalls

  • →Overworking the details and losing the loose, expressive quality.
  • →Making the colors too saturated and unnatural.
  • →Failing to establish a clear value structure.
  • →Not varying the brushstrokes enough to create texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cerulean blue oil paint
  • ·round brushes (sizes 2, 6, 8)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium (e.g. Liquin)
  • ·easel

Use a medium-tooth canvas to allow for good paint adhesion and texture.

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