apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Hauling timber
Hauling timber by Hans Heysen

plate no. 1146

Hauling timber

Hans Heysen, 1911

oilRealismlandscapetreeslandscapefigurecattleforestlogs
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and capturing the texture of tree bark using visible brushstrokes. It also provides practice in depicting figures and animals within a landscape setting.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the trees and the horizon line.

  2. step 02

    Block in the main areas of color: sky, foliage, tree trunks, and ground.

  3. step 03

    Begin layering darker values to create shadows and define the forms of the trees.

  4. step 04

    Add lighter values to highlight areas where light is hitting the trees and foliage.

  5. step 05

    Refine the details of the tree bark, using short, textured brushstrokes.

  6. step 06

    Paint the figures and cattle, paying attention to their proportions and placement within the scene.

  7. step 07

    Add details to the ground, such as grass and fallen leaves.

  8. step 08

    Make final adjustments to the colors and values to create a sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · sap green · ultramarine blue

secondary · burnt sienna · yellow ochre · cadmium yellow light

Mix greens by combining sap green with yellow ochre or cadmium yellow light. Create grays and browns by mixing raw umber, ultramarine blue, and titanium white. Use burnt sienna to add warmth to the tree trunks and ground.

techniques

  • ·dry brush texture
  • ·layering
  • ·scumbling
  • ·broken color
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early.
  • →Failing to create a sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·sap green oil paint
  • ·ultramarine blue oil paint
  • ·burnt sienna oil paint
  • ·#4 round brush
  • ·#8 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine

Use a medium-grit canvas to allow for better paint adhesion and texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy