apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Harvesters
Harvesters by Jules Breton

plate no. 1574

Harvesters

Jules Breton

oilRealismgenre paintingfigurefieldsunsetharvestcropssky
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a landscape and capturing the subtle gradations of light at sunset. It also provides practice in creating texture with brushstrokes.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement of the figures and the horizon line.

  2. step 02

    Block in the main areas of color: sky, field, and figures, using thin washes.

  3. step 03

    Establish the light source (the setting sun) and begin to build up the values, creating depth and form.

  4. step 04

    Add details to the figures, focusing on the facial features and the folds of the clothing.

  5. step 05

    Create texture in the field and the crops using broken brushstrokes and varying the paint thickness.

  6. step 06

    Refine the colors and values, paying attention to the subtle gradations of light and shadow.

  7. step 07

    Add the final details, such as the highlights on the figures and the texture of the crops.

  8. step 08

    Glaze with thin layers to unify the painting and adjust the overall color harmony.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · cadmium red · ultramarine blue · raw sienna

Achieve the sunset colors by mixing cadmium red with yellow ochre and titanium white. Use burnt umber and ultramarine blue to create the darker tones in the field and figures. Mix raw sienna with white for highlights.

techniques

  • ·scumbling
  • ·glazing
  • ·dry brushing
  • ·blending
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear light source.
  • →Using colors that are too saturated.
  • →Ignoring the subtle gradations of value.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes
  • ·palette knife

optional

  • ·painting medium
  • ·retouch varnish
  • ·easel

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time of the oil paints.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy