apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Harvest scenes
Harvest scenes by Léon Augustin Lhermitte

plate no. 3667

Harvest scenes

Léon Augustin Lhermitte

pastel, paperRealismgenre paintingfiguresfieldhaystackstreesbuildingsky
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and creating atmospheric perspective through color and value changes. It also provides practice in rendering textures, such as hay and foliage, using broken color and visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main shapes: figures, haystacks, and the building.

  2. step 02

    Establish the basic color blocks for the sky, field, and trees using thin washes.

  3. step 03

    Begin layering colors on the figures, paying attention to the light and shadow.

  4. step 04

    Develop the texture of the haystacks with short, broken strokes of varying colors.

  5. step 05

    Add details to the building and trees, focusing on their forms and values.

  6. step 06

    Refine the figures' features and clothing, adding highlights and shadows.

  7. step 07

    Adjust the overall color harmony and value contrast to create a sense of depth.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · yellow ochre · burnt sienna · ultramarine blue · titanium white

secondary · raw umber · cadmium red light · sap green

Mix various shades of brown and yellow for the field and hay. Use blue and white to create the sky, and mix greens with yellow and blue for the foliage. Use red and white for the roof.

techniques

  • ·broken color
  • ·scumbling
  • ·dry brush
  • ·layering
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear value structure.
  • →Using colors that are too saturated or unrealistic.
  • →Ignoring the importance of atmospheric perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·acrylic or oil paints
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·palette
  • ·palette knife
  • ·linseed oil (if using oil paints)
  • ·mineral spirits (for cleaning brushes)

optional

  • ·medium gloss
  • ·easel
  • ·color wheel

A medium-textured canvas will work well for this painting. Consider using a toned canvas to help establish the overall color harmony.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy