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Harvest (Harvesters) by António de Carvalho da Silva Porto

plate no. 6270

Harvest (Harvesters)

António de Carvalho da Silva Porto, 1893

oil, canvasRealismgenre paintingfieldfiguresharvestskywheatlandscape
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and creating the illusion of depth through atmospheric perspective and color temperature.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and the horizon line.

  2. step 02

    Block in the large areas of color: sky, field, and figures, using thin washes.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the figures and in the field.

  4. step 04

    Add details to the figures, such as the folds in their clothing and the texture of the wheat.

  5. step 05

    Refine the background, adding details to the trees and distant hills.

  6. step 06

    Pay attention to the color temperature, using warmer colors in the foreground and cooler colors in the background.

  7. step 07

    Add final details, such as the small plants in the foreground and the texture of the sky.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · yellow ochre · ultramarine blue · burnt umber · titanium white

secondary · cadmium yellow · alizarin crimson · raw sienna

Mix various shades of yellow ochre and burnt umber for the field. Use ultramarine blue and white for the sky, adding a touch of yellow ochre for warmth near the horizon. Mix grays from ultramarine blue, burnt umber, and white for the figures' clothing.

techniques

  • ·blocking in
  • ·atmospheric perspective
  • ·dry brushing
  • ·color mixing
  • ·scumbling

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Making the colors too saturated.
  • →Not creating enough depth in the landscape.
  • →Overworking the details.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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