apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Harem Scene with the Sultan
Harem Scene with the Sultan by Jean Baptiste Vanmour

plate no. 8015

Harem Scene with the Sultan

Jean Baptiste Vanmour, 1730

oil, canvasBaroquegenre paintingfiguresinteriorarchitecturecarpetwindowsharem
experienced study

Recreating this painting will help students develop skills in figure drawing, perspective, and rendering complex interior spaces. It also provides practice in capturing the subtle variations in skin tones and fabric textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the room and figures, paying attention to perspective.

  2. step 02

    Establish the main light source and block in the large areas of color, focusing on the overall value structure.

  3. step 03

    Begin refining the details of the architecture, including the windows and decorative elements.

  4. step 04

    Develop the figures, starting with the larger forms and gradually adding details like clothing and facial features.

  5. step 05

    Work on the carpet pattern, simplifying the design and focusing on the overall texture.

  6. step 06

    Refine the lighting and shadows, adding highlights and deepening the dark areas.

  7. step 07

    Add final details and adjust colors as needed to create a sense of depth and realism.

  8. step 08

    Glaze to unify the colors and add depth.

color palette

primary · ivory black · raw umber · cadmium red light · yellow ochre

secondary · cerulean blue · burnt sienna · gold

Mix various shades of brown and gray by combining ivory black, raw umber, and yellow ochre. Use cadmium red light and yellow ochre to create warm skin tones. Add cerulean blue to create cooler grays for the walls.

techniques

  • ·glazing
  • ·scumbling
  • ·figure drawing
  • ·perspective
  • ·rendering fabric

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition.
  • →Failing to create a convincing sense of depth and perspective.
  • →Overworking the figures and losing the spontaneity of the initial sketch.
  • →Inaccurate proportions of figures

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (ivory black, raw umber, cadmium red light, yellow ochre, cerulean blue, burnt sienna)
  • ·linseed oil
  • ·turpentine
  • ·palette
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne