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home·artworks·Happy drinker
Happy drinker by Pieter de Hooch

plate no. 6590

Happy drinker

Pieter de Hooch, 1650

oil, woodBaroquegenre paintingfiguresinteriordrinkingtabletavernwood
some experience helpful

Recreating this painting will help students understand how to depict figures in a dimly lit interior and how to create a sense of depth using value and atmospheric perspective. Students will also learn to mix realistic skin tones and render convincing textures on clothing and wooden surfaces.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the basic room layout, paying attention to proportions and perspective.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber, focusing on the areas of light and shadow.

  3. step 03

    Block in the main colors of the figures' clothing and the background, using a limited palette of earth tones and reds.

  4. step 04

    Refine the skin tones of the figures, layering subtle variations of color and value to create a sense of realism.

  5. step 05

    Add details to the clothing, such as folds, buttons, and textures, using smaller brushes and more precise strokes.

  6. step 06

    Paint the wooden surfaces of the room, paying attention to the grain and the effects of light and shadow.

  7. step 07

    Add the final details, such as the glass, the pipe, and the pitcher, using a fine brush and careful observation.

  8. step 08

    Glaze the painting with thin layers of color to unify the composition and enhance the depth of the shadows.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre

Mix skin tones by blending white, red, yellow ochre, and a touch of umber. Create shadows by adding black or burnt umber to the base colors.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or bright.
  • →Ignoring the effects of light and shadow on the forms.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

Use high-quality oil paints for best results. Prepare the canvas with a layer of gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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