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home·artworks·Hagar and the Angel
Hagar and the Angel by Pieter Lastman

plate no. 1214

Hagar and the Angel

Pieter Lastman

oilBaroquereligious paintingangelfigurelandscapecloudstreesreligious
experienced study

Recreating this painting will help students develop skills in figure painting, drapery, and atmospheric perspective. It also provides practice in creating a dynamic composition with multiple focal points.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figures and major landscape elements.

  2. step 02

    Block in the main areas of color, starting with the darkest shadows and working towards the highlights.

  3. step 03

    Develop the form of the figures, paying attention to anatomy and drapery folds.

  4. step 04

    Refine the landscape elements, creating depth through atmospheric perspective.

  5. step 05

    Add details to the figures' faces and clothing, focusing on capturing their expressions.

  6. step 06

    Glaze thin layers of color to build up depth and richness.

  7. step 07

    Add final highlights and shadows to create a sense of drama.

  8. step 08

    Varnish the painting to protect it and enhance the colors.

color palette

primary · yellow ochre · burnt umber · titanium white

secondary · alizarin crimson · ultramarine blue · raw sienna

Achieve the skin tones by mixing yellow ochre, burnt umber, and white. Create the purples for the angel's robe by mixing alizarin crimson and ultramarine blue. Use raw sienna and burnt umber to create the earth tones.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·atmospheric perspective
  • ·drapery study

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth.
  • →Using colors that are too saturated.
  • →Ignoring the importance of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints (yellow ochre, burnt umber, titanium white, alizarin crimson, ultramarine blue, raw sienna)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer of paint to dry completely before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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