
plate no. 1408
George Elgar Hicks, 1899
Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering soft, diffused light. Students will also practice capturing the texture of hair and fabric with subtle brushstrokes.
technical profile
approach — 8 steps
Lightly sketch the basic shapes and proportions of the head, shoulders, and hair.
Establish the main light and shadow areas with thin washes of color.
Begin building up the skin tones, focusing on subtle variations in color and value.
Paint the hair, using loose, flowing brushstrokes to capture its texture and movement.
Add details to the eyes, lips, and jewelry, paying attention to highlights and reflections.
Refine the clothing, using thicker paint and more visible brushstrokes.
Adjust the overall color balance and value contrast to create a sense of depth and realism.
Add final highlights and details to complete the painting.
color palette
primary · titanium white · burnt umber · cadmium red · yellow ochre
secondary · ultramarine blue · ivory black · alizarin crimson
Skin tones are achieved by mixing white, yellow ochre, cadmium red, and a touch of burnt umber. Darker areas use more umber and crimson. Hair is a mix of burnt umber, black, and touches of red and yellow.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. A medium-sized canvas (16x20 inches) is recommended for beginners.
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