apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Group portrait of family Schwartz
Group portrait of family Schwartz by Boris Kustodiev

plate no. 8004

Group portrait of family Schwartz

Boris Kustodiev, 1908

oilRealismgenre paintinginteriorfiguresroomfurnitureportraitslamp
some experience helpful

This painting provides practice in capturing a dimly lit interior scene and creating a sense of atmosphere through subtle color variations and value contrasts. Students will learn to simplify complex details and focus on the overall impression of light and shadow.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the basic composition and placement of figures and furniture.

  2. step 02

    Block in the large areas of color, focusing on the overall value structure of the scene.

  3. step 03

    Establish the light source and begin to build up the highlights and shadows.

  4. step 04

    Develop the details of the figures and furniture, paying attention to the way light interacts with the forms.

  5. step 05

    Refine the color palette, adding subtle variations and nuances to create depth and atmosphere.

  6. step 06

    Add details to the lamp and the paintings on the wall.

  7. step 07

    Soften edges and blend colors to create a sense of unity and harmony.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ultramarine blue · yellow ochre · burnt umber

secondary · titanium white · cadmium yellow · alizarin crimson

Achieve the muted tones by mixing the primary colors with white and small amounts of secondary colors. Use yellow ochre and cadmium yellow to create the warm glow of the lamp.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·broken color

common pitfalls

  • →overworking the details
  • →losing the overall value structure
  • →using colors that are too saturated
  • →creating harsh edges

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·rags

Use a medium-grain canvas to allow for a variety of brushstrokes. Consider using a toned canvas to help establish the overall value structure.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy