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Group of Flowers by Willem van Aelst

plate no. 0485

Group of Flowers

Willem van Aelst, 1675

oilBaroqueflower paintingflowersrosescarnationsleavesinsectsstill life
experienced study

Recreating this painting will help students develop skills in glazing, layering, and creating realistic floral forms with subtle color variations. It also provides practice in rendering textures and capturing the effects of light and shadow on organic forms.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Prepare a toned canvas with a dark underpainting.

  2. step 02

    Sketch the basic shapes and composition of the flowers, leaves, and ledge.

  3. step 03

    Block in the main color masses of the flowers and leaves, focusing on value relationships.

  4. step 04

    Begin layering and blending colors to create depth and form in the flowers, paying attention to highlights and shadows.

  5. step 05

    Add details to the leaves, including veins and textures.

  6. step 06

    Paint the ledge, creating a sense of depth and texture.

  7. step 07

    Add the insects and any other small details.

  8. step 08

    Glaze over the painting to unify the colors and create a sense of atmosphere.

color palette

primary · rose madder · ivory black · sap green · titanium white

secondary · cadmium red · yellow ochre · raw umber

Achieve the subtle pinks by mixing rose madder and titanium white, and darken with ivory black. Create the greens by mixing sap green with yellow ochre and ivory black for shadows.

techniques

  • ·glazing
  • ·layering
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle color variations in the flowers and leaves.

materials

surface · stretched canvas

required

  • ·Stretched canvas (16x20 inches)
  • ·Oil paints (rose madder, ivory black, sap green, titanium white, cadmium red, yellow ochre, raw umber)
  • ·Assorted brushes (round, flat, filbert)
  • ·Palette
  • ·Linseed oil
  • ·Turpentine or odorless mineral spirits
  • ·Palette knife

optional

  • ·Retouch varnish
  • ·Medium (e.g., Liquin)

Use high-quality oil paints for best results. A toned canvas will help to create a sense of depth and atmosphere.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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