apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Grazing cattle near the river
Grazing cattle near the river by Homer Watson

plate no. 9739

Grazing cattle near the river

Homer Watson

oilRealismlandscaperivertreescattlelandscapeskygrass
some experience helpful

Recreating this painting will help students develop skills in color mixing for natural light and shadow, as well as techniques for depicting reflections in water and creating depth in a landscape.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the river, trees, and horizon line.

  2. step 02

    Establish the sky with a light wash of blues and yellows, blending for a soft, atmospheric effect.

  3. step 03

    Block in the dark masses of the trees and foliage, using a mix of greens, browns, and blues.

  4. step 04

    Paint the river, capturing the reflections of the sky and trees with horizontal strokes.

  5. step 05

    Add details to the foreground, including the grass, dirt, and small plants, using varying shades of green and brown.

  6. step 06

    Paint the cattle in the field, using small strokes of white, brown, and gray.

  7. step 07

    Refine the details of the trees, adding highlights and shadows to create depth and texture.

  8. step 08

    Add final touches and highlights to the entire painting, ensuring a cohesive and realistic representation of the landscape.

color palette

primary · ultramarine blue · yellow ochre · burnt umber · titanium white

secondary · sap green · cadmium yellow · raw sienna

Achieve the muted greens by mixing yellow ochre and ultramarine blue with a touch of burnt umber. Create the sky by blending ultramarine blue and titanium white, adding a touch of yellow ochre near the horizon.

techniques

  • ·wet-on-wet blending
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details, leading to a stiff and unnatural appearance.
  • →Failing to create a sense of depth through atmospheric perspective.
  • →Using too much pure color without proper mixing and muting.
  • →Ignoring the subtle variations in light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·oil paints (ultramarine blue, yellow ochre, burnt umber, titanium white, sap green)
  • ·round brushes (#2, #4, #6)
  • ·flat brush (#8)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·painting rags

Use a medium-tooth canvas for better paint adhesion. Consider using a pre-toned canvas with a warm underpainting to enhance the colors.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy