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home·artworks·Grandmother and granddaughter
Grandmother and granddaughter by Ivan Tvorozhnikov

plate no. 2931

Grandmother and granddaughter

Ivan Tvorozhnikov, 1891

oil, canvasRealismgenre paintingfiguresgrandmotherchildwinterlandscapeclothing
some experience helpful

Recreating this painting will help students develop skills in painting figures in a muted palette and capturing reflections in water. It also provides practice in creating atmospheric perspective and depicting realistic textures.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with a thin wash of muted grays and browns for the sky and distant landscape.

  3. step 03

    Block in the main shapes of the figures with dark, neutral tones, paying attention to the folds and drapery of their clothing.

  4. step 04

    Start building up the values on the figures, adding highlights and shadows to create form.

  5. step 05

    Paint the reflections in the water, using horizontal brushstrokes and slightly desaturated colors.

  6. step 06

    Add details to the faces, focusing on capturing the expressions and features of the grandmother and granddaughter.

  7. step 07

    Refine the textures of the clothing and surrounding environment, using dry brush techniques and subtle color variations.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and atmospheric painting.

color palette

primary · raw umber · ivory black · titanium white

secondary · burnt sienna · yellow ochre · cadmium red light

Achieve the muted tones by mixing the primary colors with each other and adding white to create subtle variations. Use burnt sienna and cadmium red light sparingly for the accents in the clothing.

techniques

  • ·grisaille underpainting
  • ·wet-on-dry blending
  • ·dry brush texture
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details too early
  • →Creating too much contrast in the figures
  • →Ignoring the subtle color variations in the reflections
  • →Not establishing a clear focal point

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·oil paints (raw umber, ivory black, titanium white, burnt sienna, yellow ochre, cadmium red light)
  • ·round brushes (#2, #4, #6)
  • ·flat brushes (#6, #8)
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·easel
  • ·mahl stick

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

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oil painting for beginners →how to learn by studying the masters →
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