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home·artworks·Grandma (after Mass)
Grandma (after Mass) by Angelo Dall'Oca Bianca

plate no. 9524

Grandma (after Mass)

Angelo Dall'Oca Bianca, 1883

oilRealismgenre paintingbuildingstairsfigurearchitecturestreetsky
some experience helpful

Recreating this painting will help students develop skills in rendering architectural details with light and shadow, as well as capturing the texture of stone and the subtle nuances of a limited color palette. It also provides practice in depicting a figure within a complex environment.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the perspective of the building and stairs.

  2. step 02

    Block in the main shapes of the building, figure, and sky with diluted washes of color.

  3. step 03

    Establish the light and shadow patterns on the building, focusing on the direction of light.

  4. step 04

    Begin adding details to the architecture, such as the windows, arches, and decorative elements.

  5. step 05

    Refine the figure, paying attention to the folds of the clothing and the overall form.

  6. step 06

    Add texture to the stone surfaces using dry brush techniques.

  7. step 07

    Adjust the values and colors to create depth and atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ivory black · burnt sienna · light blue

Achieve the stone colors by mixing raw umber, yellow ochre, and titanium white in varying proportions. Use ivory black to darken shadows and light blue to create a subtle atmospheric effect in the sky.

techniques

  • ·dry brush texture
  • ·value gradation
  • ·atmospheric perspective
  • ·blocking in
  • ·scumbling

common pitfalls

  • →Getting the perspective wrong, which can make the building look distorted.
  • →Overworking the details, which can make the painting look stiff and unnatural.
  • →Failing to create enough contrast between light and shadow, which can make the painting look flat.
  • →Not paying attention to the atmospheric perspective, which can make the background look too sharp.

materials

surface · stretched canvas

required

  • ·stretched canvas (12x16 inches)
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·light blue oil paint
  • ·#4 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a canvas with a smooth texture to allow for detailed brushwork. Consider using a medium to thin the oil paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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