apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Gozando os rendimentos
Gozando os rendimentos by Jose Malhoa

plate no. 1792

Gozando os rendimentos

Jose Malhoa, 1893

oilRealismgenre paintingfigureparktreescityscapebenchsky
some experience helpful

Recreating this painting will help students develop skills in depicting figures in a landscape and capturing atmospheric perspective. It also provides practice in rendering textures using visible brushstrokes.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, trees, and cityscape.

  2. step 02

    Establish the main color blocks for the sky, ground, and distant buildings.

  3. step 03

    Paint the figure, paying attention to the light and shadow on the face and clothing.

  4. step 04

    Add details to the trees, using varied brushstrokes to create texture.

  5. step 05

    Develop the cityscape in the background, using lighter values to create distance.

  6. step 06

    Refine the details of the bench and the figure's accessories.

  7. step 07

    Add final highlights and shadows to enhance the overall depth and realism.

  8. step 08

    Glaze with thin layers to adjust the colors and values as needed.

color palette

primary · titanium white · yellow ochre · burnt umber · ultramarine blue

secondary · cadmium red · raw sienna · ivory black

Mix various shades of brown and gray by combining the primary colors. Use white to lighten the colors for the sky and distant buildings. Add small amounts of red to create warmer tones.

techniques

  • ·broken color
  • ·scumbling
  • ·atmospheric perspective
  • ·figure drawing
  • ·alla prima

common pitfalls

  • →Overworking the details, which can flatten the image.
  • →Failing to create a sense of depth in the landscape.
  • →Using too much black, which can make the colors look muddy.
  • →Not paying enough attention to the proportions of the figure.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·round brushes size 2, 4, 6
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use a medium-tooth canvas for best results. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy