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home·artworks·Gossip in Venice
Gossip in Venice by Alessandro Milesi

plate no. 0245

Gossip in Venice

Alessandro Milesi, 1890

oil, canvasRealismgenre paintingfiguresmarketstreet scenearchitecturechildrenbaskets
experienced study

Recreating this painting will help students develop skills in rendering complex figures and drapery, as well as capturing the atmosphere of a bustling street scene with nuanced color and value relationships. Students will also learn to manage a complex composition with many elements.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Create a rough sketch to establish the composition and placement of figures and key elements.

  2. step 02

    Block in the main shapes and colors using thin washes of paint.

  3. step 03

    Develop the background elements, focusing on the architecture and market stall.

  4. step 04

    Begin refining the figures, paying attention to proportions and anatomy.

  5. step 05

    Layer in details of the clothing and drapery, using highlights and shadows to create form.

  6. step 06

    Add details to the faces, capturing the expressions and features of the figures.

  7. step 07

    Refine the foreground elements, including the baskets and ground texture.

  8. step 08

    Add final highlights and shadows to enhance the overall depth and realism.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · cadmium red · yellow ochre · ultramarine blue · viridian green

Achieve the warm, earthy tones by mixing burnt umber and raw sienna with white. Use small amounts of cadmium red and yellow ochre to create the flesh tones. Mix ultramarine blue and viridian green for cooler shadows and foliage.

techniques

  • ·layered glazing
  • ·scumbling
  • ·chiaroscuro
  • ·broken color
  • ·alla prima

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of figures
  • →Muddy color mixing
  • →Ignoring the overall value structure
  • →Losing the atmospheric perspective

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, cadmium red, yellow ochre, ultramarine blue, viridian green)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round, flat, filbert)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use a medium-tooth canvas for better texture. Consider using a toned ground to establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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