apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Goriano Sicoli
Goriano Sicoli by M.C. Escher

plate no. 7565

Goriano Sicoli

M.C. Escher, 1929

lithography, paperRealismcityscapecityscapebuildingsmountainsvillageskyarchitecture
some experience helpful

Recreating this painting will help students develop skills in linear perspective, value shading, and creating depth through atmospheric perspective. It also encourages careful observation of architectural details and landscape elements.

technical profile

palette complexity
2
brushwork visibility
1
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes of the mountains, village, and foreground elements, paying attention to the overall composition.

  2. step 02

    Establish the horizon line and vanishing points for the perspective of the buildings.

  3. step 03

    Refine the outlines of the buildings, adding details such as windows, doors, and rooflines.

  4. step 04

    Begin shading the mountains, using darker values for the shadows and lighter values for the highlights.

  5. step 05

    Shade the buildings, paying attention to the direction of light and shadow to create a sense of depth.

  6. step 06

    Add details to the foreground elements, such as trees and vegetation, using varying values to create texture.

  7. step 07

    Refine the overall shading and add any final details, such as highlights on the buildings and mountains.

  8. step 08

    Review the artwork and adjust values as needed to create a cohesive and balanced composition.

color palette

primary · black · white · gray

secondary ·

Varying the pressure and density of pencil strokes will achieve different shades of gray.

techniques

  • ·hatching
  • ·cross-hatching
  • ·linear perspective
  • ·value shading
  • ·atmospheric perspective

common pitfalls

  • →Incorrect perspective leading to distorted buildings.
  • →Lack of value contrast resulting in a flat image.
  • →Overworking the details and losing the overall composition.
  • →Inconsistent light source creating confusion in the shading.

materials

surface · smooth drawing paper

required

  • ·graphite pencils (HB, 2B, 4B)
  • ·drawing paper
  • ·eraser
  • ·ruler
  • ·sharpener
  • ·tortillon

optional

  • ·kneaded eraser
  • ·drawing board
  • ·fixative spray

Use a variety of graphite pencils to achieve different values and textures. Start with lighter pencils and gradually move to darker pencils as needed.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy