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home·artworks·Gorgonenhaupt
Gorgonenhaupt by Wilhelm Trübner

plate no. 2770

Gorgonenhaupt

Wilhelm Trübner, 1891

oilRealismportraitportraitfiguresnakesdark backgroundmythologyface
some experience helpful

Recreating this painting will help students develop skills in portraiture, particularly in capturing realistic skin tones and rendering complex textures like hair and scales. It also provides practice in creating depth and atmosphere through value control and subtle color variations.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the face and the placement of the snakes.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar dark neutral.

  3. step 03

    Block in the main areas of color on the face, using a limited palette of earth tones and reds.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Add details to the snakes, focusing on their scales and textures.

  6. step 06

    Develop the background, using loose brushstrokes and subtle color variations to create depth.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing white with small amounts of red, sienna, and umber. Use black and blue sparingly to create shadows and depth. The snakes can be created by mixing black, umber, and sienna with hints of green.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushstrokes.
  • →Failing to establish a strong value structure early on.
  • →Getting bogged down in details before establishing the overall composition.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

A toned canvas can be helpful for establishing the dark background. Use a medium to thin the oil paints and create glazes.

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oil painting for beginners →how to learn by studying the masters →
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