apprentice
artistsserieslearnchatartworkscommunity galleryblog
apprentice

deliberate practice for serious artists

writingsourcesmethodsaboutgalleryprivacyterms
built by reducibl.com
home·artworks·Gorgonenhaupt
Gorgonenhaupt by Wilhelm Trübner

plate no. 2770

Gorgonenhaupt

Wilhelm Trübner, 1891

oilRealismportraitportraitfiguresnakesdark backgroundmythologyface

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the proportions of the face and the placement of the snakes.

  2. step 02

    Establish the overall value structure with a thin wash of burnt umber or a similar dark neutral.

  3. step 03

    Block in the main areas of color on the face, using a limited palette of earth tones and reds.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows.

  5. step 05

    Add details to the snakes, focusing on their scales and textures.

  6. step 06

    Develop the background, using loose brushstrokes and subtle color variations to create depth.

  7. step 07

    Refine the overall composition, adjusting values and colors as needed.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · burnt umber · raw sienna · titanium white · cadmium red

secondary · ivory black · yellow ochre · ultramarine blue

Achieve skin tones by mixing white with small amounts of red, sienna, and umber. Use black and blue sparingly to create shadows and depth. The snakes can be created by mixing black, umber, and sienna with hints of green.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·dry brushing

common pitfalls

  • →Overworking the painting and losing the loose, expressive brushstrokes.
  • →Failing to establish a strong value structure early on.
  • →Getting bogged down in details before establishing the overall composition.
  • →Using colors that are too bright or saturated.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·round brushes (various sizes)
  • ·palette
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·odorless mineral spirits

A toned canvas can be helpful for establishing the dark background. Use a medium to thin the oil paints and create glazes.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy