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home·artworks·Good Friends (portrait of the Artist's Sister Bertha Edelfelt)
Good Friends (portrait of the Artist's Sister Bertha Edelfelt) by Albert Edelfelt

plate no. 2187

Good Friends (portrait of the Artist's Sister Bertha Edelfelt)

Albert Edelfelt, 1881

oilRealismgenre paintingfiguredoginteriorwindowbookfurniture
some experience helpful

Recreating this painting will help students develop skills in rendering soft light and shadow, as well as capturing the texture of fabrics and fur. It also provides practice in depicting realistic skin tones and facial features.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure, dog, and main elements.

  2. step 02

    Establish the background with thin washes of color, paying attention to the light coming through the window.

  3. step 03

    Block in the main shapes of the figure and dog with simplified colors and values.

  4. step 04

    Develop the skin tones and facial features, using subtle color variations and soft blending.

  5. step 05

    Add details to the clothing and accessories, capturing the texture of the fabric and lace.

  6. step 06

    Refine the fur of the dog, using short, broken brushstrokes to create a sense of volume.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt sienna · alizarin crimson

Mix various shades of pink and peach for the skin and dress by combining white, red, and yellow ochre. Use raw umber and white for the neutral tones of the room and furniture. Create greens for the landscape outside the window by mixing blue and yellow.

techniques

  • ·soft blending
  • ·scumbling
  • ·broken color
  • ·glazing
  • ·layering

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated or intense.
  • →Losing the softness and subtlety of the light.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·odorless mineral spirits
  • ·rags

optional

  • ·medium gloss
  • ·retouch varnish
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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