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home·artworks·Going to Work
Going to Work by Jean-Francois Millet

plate no. 6395

Going to Work

Jean-Francois Millet, 1853

oil, canvasRealismgenre paintingfiguresfarmersfieldskyruralpitchfork
some experience helpful

This painting helps students practice depicting figures in a landscape and creating a sense of depth through color and value. It also allows for exploration of loose brushwork and implied detail.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
4

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures.

  2. step 02

    Establish the background with a thin wash of muted greens and yellows.

  3. step 03

    Block in the main shapes of the figures with darker values, paying attention to the light source.

  4. step 04

    Begin to build up the forms with layers of color, using thicker paint and visible brushstrokes.

  5. step 05

    Add details to the faces and clothing, but avoid overworking them.

  6. step 06

    Refine the shadows and highlights to create a sense of depth.

  7. step 07

    Add the pitchfork and other small details.

  8. step 08

    Adjust the overall color balance and add any final touches.

color palette

primary · yellow ochre · burnt umber · Prussian blue

secondary · titanium white · raw sienna · sap green

Mix muted greens by combining yellow ochre, Prussian blue, and a touch of burnt umber. Achieve skin tones by mixing yellow ochre, burnt umber, and titanium white.

techniques

  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·chiaroscuro
  • ·alla prima

common pitfalls

  • →Overworking the details
  • →Using colors that are too bright or saturated
  • →Ignoring the light source
  • →Getting the proportions of the figures wrong

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes
  • ·linseed oil
  • ·turpentine

optional

  • ·painting medium
  • ·varnish
  • ·easel

Use a medium-textured canvas to allow for visible brushstrokes. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →how to learn by studying the masters →
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