apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Glorification of the Cross
Glorification of the Cross by Adam Elsheimer

plate no. 5417

Glorification of the Cross

Adam Elsheimer, 1600

oilBaroquereligious paintingfigurescrossskycloudsreligiousheaven
advanced study

Recreating this painting will help students develop skills in figure drawing, composition, and creating atmospheric perspective with subtle color variations. It also provides practice in rendering complex drapery and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the main figures and the cross, paying attention to their relative positions and scale.

  2. step 02

    Establish the background sky and cloud formations using thin washes of blue, white, and gray.

  3. step 03

    Block in the larger shapes of the figures with basic skin tones and drapery colors.

  4. step 04

    Start building up the details of the figures, focusing on anatomical accuracy and expressive gestures.

  5. step 05

    Develop the drapery folds and textures, using highlights and shadows to create depth and volume.

  6. step 06

    Refine the facial features and expressions of the figures, paying attention to the subtle nuances of light and shadow.

  7. step 07

    Add the details of the cross and any other symbolic elements in the composition.

  8. step 08

    Glaze the entire painting with thin layers of color to unify the composition and create a sense of atmosphere.

color palette

primary · titanium white · ultramarine blue · burnt umber · yellow ochre

secondary · cadmium red · viridian green · ivory black

Achieve skin tones by mixing white, yellow ochre, and a touch of red or burnt umber. Create atmospheric perspective by adding more white and blue to distant elements.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·figure drawing
  • ·atmospheric perspective

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a clear sense of depth and perspective.
  • →Using colors that are too saturated or intense.
  • →Ignoring the subtle nuances of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·assorted round and flat brushes
  • ·linseed oil

optional

  • ·palette knife
  • ·retouch varnish
  • ·medium

Use high-quality oil paints for best results. Consider using a toned canvas to speed up the painting process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne