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home·artworks·Gloire D'une Sainte
Gloire D'une Sainte by Sassoferrato

plate no. 0072

Gloire D'une Sainte

Sassoferrato

oilBaroquereligious paintingfigureangelscloudsreligiousrobessky
experienced study

Recreating this painting will help students develop skills in rendering realistic figures, drapery, and creating atmospheric perspective. It also provides practice in mixing subtle skin tones and capturing the softness of clouds.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figure and the surrounding angels, paying attention to proportions and placement.

  2. step 02

    Establish the basic values with a thin wash of neutral color, focusing on the overall light and shadow patterns.

  3. step 03

    Begin layering in the skin tones, starting with the mid-tones and gradually adding highlights and shadows.

  4. step 04

    Work on the drapery, using a combination of blending and layering to create the folds and textures.

  5. step 05

    Paint the clouds, using soft, blended brushstrokes to create a sense of depth and atmosphere.

  6. step 06

    Add details to the angels, such as their wings and facial features.

  7. step 07

    Refine the highlights and shadows throughout the painting to create a sense of realism.

  8. step 08

    Add final details such as the golden staff and the saint's crown.

color palette

primary · titanium white · raw umber · cadmium red light · ultramarine blue

secondary · yellow ochre · burnt sienna · ivory black

Achieve skin tones by mixing white, red, yellow ochre, and a touch of blue or umber. Use ultramarine blue and raw umber for the darker cloud areas, and white with a touch of yellow ochre for the lighter areas. Mix burnt sienna and yellow ochre for the golden robe.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·atmospheric perspective

common pitfalls

  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to establish a strong value structure early on.
  • →Making the clouds too uniform and lacking depth.
  • →Getting the proportions of the figures wrong.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints (titanium white, raw umber, cadmium red light, ultramarine blue, yellow ochre, burnt sienna, ivory black)
  • ·linseed oil
  • ·turpentine or odorless mineral spirits
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags or paper towels

optional

  • ·retouch varnish
  • ·painting medium

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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