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home·artworks·Glimpse of Patrica
Glimpse of Patrica by Gustavo Simoni

plate no. 5571

Glimpse of Patrica

Gustavo Simoni

watercolor, cardboardRealismcityscapebuildingsstreetarchitecturecobblestonesstairslamp
experienced study

Recreating this painting will help students develop skills in rendering textures like stone and brick, as well as understanding atmospheric perspective to create depth in a cityscape. Students will also learn to use a limited palette to create a cohesive and harmonious color scheme.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and perspective lines of the buildings and street.

  2. step 02

    Establish the darkest and lightest values to create a value map.

  3. step 03

    Begin painting the sky with a diluted wash of grey.

  4. step 04

    Paint the buildings using a warm color palette, focusing on local color and light.

  5. step 05

    Add details to the buildings, such as windows, doors, and architectural elements.

  6. step 06

    Paint the cobblestone street, varying the colors and values to create texture and depth.

  7. step 07

    Add shadows and highlights to enhance the three-dimensionality of the scene.

  8. step 08

    Refine the details and make any necessary adjustments to the composition.

color palette

primary · burnt sienna · yellow ochre · raw umber

secondary · ultramarine blue · Payne's gray · white

Mix burnt sienna and yellow ochre for warm building tones. Add raw umber for darker shadows. Use ultramarine blue and Payne's gray to create cool grays for the sky and distant areas.

techniques

  • ·dry brushing
  • ·layering
  • ·atmospheric perspective
  • ·color mixing
  • ·glazing

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to establish a strong value structure, leading to a flat and uninteresting painting.
  • →Ignoring atmospheric perspective, which can flatten the depth of the scene.
  • →Using colors that are too saturated, resulting in an unrealistic and jarring effect.

materials

surface · watercolor paper 140lb

required

  • ·watercolor paints
  • ·watercolor brushes (round and flat)
  • ·watercolor paper 140lb
  • ·palette
  • ·water container
  • ·pencil
  • ·eraser
  • ·masking tape

optional

  • ·palette knife
  • ·ruler
  • ·kneaded eraser
  • ·watercolor pencils

Use high-quality watercolor paper to prevent buckling and allow for multiple layers of paint. Consider using a limited palette to simplify the color mixing process.

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watercolor techniques →how to learn by studying the masters →
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