apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Glen Birnam
Glen Birnam by John Everett Millais

plate no. 9122

Glen Birnam

John Everett Millais, 1891

oil, canvasRealismlandscapetreessnowfigurepathforestsky
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering realistic textures, particularly for trees and snow.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the path and the placement of the figure and trees.

  2. step 02

    Block in the sky with a gradient of yellow and white, creating a soft, diffused light.

  3. step 03

    Establish the dark masses of the forest using a mix of browns and blues.

  4. step 04

    Add the snow on the ground, paying attention to the subtle variations in color and value.

  5. step 05

    Paint the trees, starting with the larger trunks and gradually adding smaller branches and twigs.

  6. step 06

    Refine the details of the figure, including the clothing and basket.

  7. step 07

    Add highlights and shadows to create depth and dimension.

  8. step 08

    Make final adjustments to the overall composition and color balance.

color palette

primary · titanium white · burnt umber · ultramarine blue

secondary · yellow ochre · cadmium red · raw sienna

Mix browns and blues for the dark areas of the forest, and add white to create lighter tones for the snow and sky. Use yellow ochre and white for the highlights on the trees and path.

techniques

  • ·atmospheric perspective
  • ·glazing
  • ·dry brushing
  • ·layering
  • ·scumbling

common pitfalls

  • →Overworking the details too early in the painting process.
  • →Creating too much contrast, which can flatten the image.
  • →Ignoring the subtle color variations in the snow and trees.
  • →Making the trees too uniform in size and shape.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·ultramarine blue oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brush (size 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a pre-primed canvas to save time.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy