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home·artworks·Girls at the source in Venice
Girls at the source in Venice by Alessandro Milesi

plate no. 8512

Girls at the source in Venice

Alessandro Milesi

oil, canvasRealismgenre paintingfigurewater wellbuildingscityscapepeoplevessels
some experience helpful

Recreating this painting will help students develop skills in rendering figures with dynamic poses and capturing the textures of various materials like stone, fabric, and metal. It also provides practice in creating atmospheric perspective and suggesting details with loose brushwork.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
4
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the main figures and the well, focusing on proportions and placement.

  2. step 02

    Establish the basic background shapes and values with thin washes of color.

  3. step 03

    Block in the main colors of the figures' clothing and skin tones.

  4. step 04

    Begin refining the details of the faces, paying attention to light and shadow.

  5. step 05

    Develop the textures of the well and the surrounding architecture using broken brushstrokes.

  6. step 06

    Add details to the clothing, such as folds and highlights.

  7. step 07

    Paint the water and reflections, using thin glazes and highlights.

  8. step 08

    Add final details and adjust values to create depth and atmosphere.

color palette

primary · burnt umber · yellow ochre · cadmium red · titanium white

secondary · ultramarine blue · raw sienna · ivory black

Achieve the skin tones by mixing cadmium red, yellow ochre, and titanium white, adjusting the proportions for highlights and shadows. Mix burnt umber and ultramarine blue to create the darker tones in the well and background.

techniques

  • ·alla prima
  • ·scumbling
  • ·glazing
  • ·broken color
  • ·chiaroscuro

common pitfalls

  • →Overworking the details, resulting in a stiff and unnatural look.
  • →Failing to establish a strong value structure, leading to a flat and unconvincing image.
  • →Getting the proportions of the figures wrong, making them appear distorted.
  • →Not capturing the atmospheric perspective, causing the background to appear too sharp and detailed.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use a medium-tooth canvas to allow for good paint adhesion and texture. Consider using a toned canvas to speed up the painting process.

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oil painting for beginners →how to learn by studying the masters →
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