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home·artworks·Girlande Mit Jungfrau Und Kind in Der Glorie
Girlande Mit Jungfrau Und Kind in Der Glorie by Juan van der Hamen

plate no. 3078

Girlande Mit Jungfrau Und Kind in Der Glorie

Juan van der Hamen, 1625

oilBaroquereligious paintingflowersreligious figureangelscloudsinfantportrait
experienced study

Recreating this painting will help students develop skills in rendering complex floral arrangements and figures with soft, atmospheric lighting. It also provides practice in color mixing to achieve realistic skin tones and floral hues.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the oval composition and the placement of the central figures and floral garland.

  2. step 02

    Establish the background tones within the oval, focusing on the clouds and sky.

  3. step 03

    Block in the main shapes of the Virgin Mary, infant Jesus, and the angels.

  4. step 04

    Begin layering colors and values on the figures to create form and depth.

  5. step 05

    Start painting the floral garland, focusing on individual flower shapes and colors.

  6. step 06

    Add details to the flowers, such as veins, shadows, and highlights.

  7. step 07

    Refine the figures and floral arrangement, adjusting colors and values as needed.

  8. step 08

    Add final details, such as the butterfly and subtle highlights on the figures.

color palette

primary · rose madder · ultramarine blue · yellow ochre · titanium white

secondary · cadmium red · viridian · burnt umber · lemon yellow

Achieve the skin tones by mixing white, yellow ochre, and a touch of rose madder. Create the floral colors by mixing the primary colors with white for lighter shades and burnt umber for darker shades.

techniques

  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro
  • ·floral rendering

common pitfalls

  • →Overworking the floral details and losing the overall composition.
  • →Creating muddy colors by overmixing.
  • →Failing to establish a strong value structure.
  • →Inaccurate proportions of the figures.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium (e.g. Liquin)
  • ·easel

Use high-quality oil paints for best results. A medium can be used to adjust the consistency and drying time of the paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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