apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Girl with the Cornflowers
Girl with the Cornflowers by Alexey Venetsianov

plate no. 0873

Girl with the Cornflowers

Alexey Venetsianov

oil, canvasRealismportraitportraitfigureflowersclothingheadscarfhands
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and creating realistic skin tones, as well as understanding how to depict fabric and subtle lighting.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with dark, muted greens and browns.

  3. step 03

    Establish the basic skin tones using a limited palette of earth tones and white.

  4. step 04

    Begin layering the clothing, paying attention to the folds and highlights.

  5. step 05

    Add the details of the face, focusing on accurate placement of features and subtle shading.

  6. step 06

    Paint the hands and flowers, simplifying the forms and colors.

  7. step 07

    Refine the details and adjust the values to create depth and dimension.

  8. step 08

    Add final highlights and shadows to enhance the realism.

color palette

primary · raw umber · titanium white · yellow ochre

secondary · ultramarine blue · alizarin crimson · burnt sienna

Mix skin tones by blending white with small amounts of yellow ochre, burnt sienna, and alizarin crimson. Achieve the background color by mixing raw umber with touches of ultramarine blue and yellow ochre.

techniques

  • ·portrait painting
  • ·glazing
  • ·scumbling
  • ·blending
  • ·chiaroscuro

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to accurately capture the proportions of the figure.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle shifts in value and tone.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·linseed oil
  • ·odorless mineral spirits
  • ·#2 round brush
  • ·#6 flat brush
  • ·palette knife

optional

  • ·medium gloss
  • ·easel
  • ·mahl stick
  • ·rags

Use a medium-grit canvas for better texture. Consider using a limited palette to simplify the color mixing process.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy