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home·artworks·Gian Lorenzo Bernini
Gian Lorenzo Bernini by Giovanni Battista Gaulli

plate no. 6281

Gian Lorenzo Bernini

Giovanni Battista Gaulli, 1665

oilBaroqueportraitportraitfiguremanclothinghairhand
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones. It also provides practice in creating depth and form using chiaroscuro.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch of the figure, focusing on proportions and placement on the canvas.

  2. step 02

    Block in the dark background with a thin layer of black or dark brown paint.

  3. step 03

    Establish the main light and shadow areas on the face, using a limited palette of earth tones and white.

  4. step 04

    Gradually build up the skin tones with thin layers of paint, blending carefully to create smooth transitions.

  5. step 05

    Paint the clothing, paying attention to the folds and drapery.

  6. step 06

    Add details to the face, such as the eyes, nose, and mouth, using small brushes.

  7. step 07

    Refine the hair, using a combination of broad strokes and fine lines to create texture.

  8. step 08

    Add final highlights and shadows to enhance the form and create a sense of realism.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · burnt sienna · cadmium yellow light

Mix skin tones by combining white, yellow ochre, raw umber, and a touch of burnt sienna. Use ivory black and raw umber for the dark background and clothing. Add small amounts of cadmium yellow light to the skin tones for highlights.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·portraiture
  • ·blending
  • ·scumbling

common pitfalls

  • →Getting the proportions wrong in the initial sketch.
  • →Overworking the skin tones and creating a muddy effect.
  • →Failing to create enough contrast between light and shadow.
  • →Not capturing the likeness of the subject.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·cadmium yellow light oil paint

Use high-quality oil paints for best results. Prepare the canvas with gesso before painting.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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