
plate no. 5131
Heinrich Schonfeld, 1655
Recreating this painting will help students understand chiaroscuro and how to use light and shadow to create form. It will also develop skills in portraiture and rendering textures of fabric and metal.
technical profile
approach — 8 steps
Sketch the basic composition, focusing on the placement of the figure and the main shapes.
Establish the dark background with a thin wash of dark brown.
Block in the main areas of light and shadow on the figure's face, clothing, and hands.
Refine the facial features, paying close attention to the subtle gradations of light.
Develop the textures of the clothing and the coins, using varied brushstrokes.
Add highlights to the coins to create a sense of realism.
Glaze thin layers of color to deepen shadows and unify the painting.
Add final details and adjust values as needed.
color palette
primary · raw umber · yellow ochre · ivory black
secondary · burnt sienna · titanium white
Achieve the skin tones by mixing yellow ochre, raw umber, and a touch of burnt sienna. Use ivory black to darken the shadows and titanium white for highlights.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use a medium-grain canvas for best results. Consider using a toned canvas to speed up the painting process.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne