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home·artworks·Gate of temple in Japan
Gate of temple in Japan by David Burliuk

plate no. 9742

Gate of temple in Japan

David Burliuk, 1921

oilRealismlandscapetreesbuildinglandscapearchitectureshrinesfoliage
some experience helpful

Recreating this painting will help students develop skills in layering colors to create depth and texture, as well as understanding atmospheric perspective through color and value changes. It also provides practice in depicting architectural details within a natural setting.

technical profile

palette complexity
4
brushwork visibility
5
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the buildings, trees, and ground, paying attention to perspective.

  2. step 02

    Establish the overall color scheme by blocking in large areas of color for the sky, trees, and ground.

  3. step 03

    Begin layering greens and blues in the trees, using short, choppy brushstrokes to create texture.

  4. step 04

    Add details to the buildings, focusing on the roof lines, windows, and wooden structures.

  5. step 05

    Introduce highlights and shadows to define the forms of the trees and buildings.

  6. step 06

    Refine the ground plane with variations in color and texture, suggesting pathways and foliage.

  7. step 07

    Add details to the stone lanterns and surrounding vegetation.

  8. step 08

    Review and adjust the overall balance of color and value to achieve a cohesive composition.

color palette

primary · sap green · sky blue · yellow ochre · titanium white

secondary · burnt umber · cadmium yellow · ultramarine blue

Mix greens by combining blues and yellows, and use white to lighten values. Create earth tones by mixing browns, yellows, and blues.

techniques

  • ·impasto
  • ·broken color
  • ·scumbling
  • ·layering
  • ·dry brushing

common pitfalls

  • →Overworking the details too early in the process.
  • →Creating flat, uniform areas of color without variation.
  • →Ignoring the effects of light and shadow on the forms.
  • →Failing to establish a clear sense of depth and perspective.

materials

surface · stretched canvas

required

  • ·stretched canvas (18x24 inches)
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-tooth canvas to allow for texture. Consider using a quick-drying medium to speed up the drying process.

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oil painting for beginners →how to learn by studying the masters →
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