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home·artworks·Gata I Borgå
Gata I Borgå by Albert Edelfelt

plate no. 2861

Gata I Borgå

Albert Edelfelt

oilRealismlandscapestreetbuildingstreesfigurespathfence
some experience helpful

Recreating this painting will help students develop skills in perspective, rendering textures with hatching and cross-hatching, and creating a sense of depth with limited color palette.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 8 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic composition, paying attention to the perspective of the street and buildings.

  2. step 02

    Establish the main shapes of the buildings, trees, and figures.

  3. step 03

    Begin applying a base layer of light gray or beige to the street and stone walls.

  4. step 04

    Add darker values to the shadows on the street and buildings using hatching and cross-hatching.

  5. step 05

    Introduce the red-brown color to the buildings and fences, varying the intensity to create depth.

  6. step 06

    Add details to the trees using short, broken lines and varying shades of brown and gray.

  7. step 07

    Paint the figures with simple shapes and limited detail, focusing on their placement and scale.

  8. step 08

    Refine the details and add highlights to create a sense of light and atmosphere.

color palette

primary · gray · burnt sienna · ivory black

secondary · yellow ochre · titanium white

Mix grays from ivory black and titanium white. Use burnt sienna for the red-brown tones, adding small amounts of ivory black to darken and yellow ochre to lighten.

techniques

  • ·hatching
  • ·cross-hatching
  • ·linear perspective
  • ·atmospheric perspective
  • ·dry brushing

common pitfalls

  • →Incorrect perspective leading to a distorted composition.
  • →Overworking the details and losing the loose, sketch-like quality.
  • →Using too much color and losing the subtle tonal variations.
  • →Ignoring the importance of value contrast in creating depth.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·graphite pencil
  • ·ivory black oil paint
  • ·burnt sienna oil paint
  • ·titanium white oil paint
  • ·#2 round brush
  • ·#4 filbert brush

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits

A toned canvas (light gray or beige) can be helpful for establishing the base values.

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oil painting for beginners →how to learn by studying the masters →
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