apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Garden View with a Dog
Garden View with a Dog by Tomás Yepes

plate no. 9107

Garden View with a Dog

Tomás Yepes, 1660

canvas, oilBaroquestill lifeflowersdoggardenstill lifepotschair
experienced study

Recreating this painting will help students develop skills in rendering complex textures like flowers and wicker, as well as understanding how to create depth through atmospheric perspective and subtle value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 30 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the major elements like the pots, baskets, chair, and dog.

  2. step 02

    Block in the large areas of color, starting with the background and then moving to the foreground elements.

  3. step 03

    Establish the light source and begin to define the shadows and highlights on the objects.

  4. step 04

    Start adding details to the flowers, leaves, and other foliage, paying attention to their shapes and textures.

  5. step 05

    Work on the details of the pots, tiles, and baskets, focusing on their patterns and textures.

  6. step 06

    Paint the dog, paying attention to its fur and facial features.

  7. step 07

    Refine the details and add any final touches, such as the small flowers and leaves in the background.

  8. step 08

    Add glazes to deepen shadows and unify the colors.

color palette

primary · burnt umber · titanium white · cadmium red · yellow ochre

secondary · sap green · ultramarine blue · alizarin crimson

Achieve the muted greens by mixing yellow ochre, ultramarine blue, and a touch of burnt umber. Use white and small amounts of other colors to create the various shades of the flowers.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early before establishing the overall composition and values.
  • →Overworking the colors and losing the freshness of the initial layers.
  • →Failing to create a sense of depth and atmosphere.
  • →Not paying enough attention to the subtle color variations in the shadows and highlights.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·burnt umber oil paint
  • ·titanium white oil paint
  • ·cadmium red oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·flat brushes (sizes 4, 8)
  • ·linseed oil

optional

  • ·palette knife
  • ·turpentine
  • ·dammar varnish

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne