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home·artworks·Garden of Eden
Garden of Eden by Paul de Vos

plate no. 5115

Garden of Eden

Paul de Vos

oilBaroquereligious paintinganimalslandscapegardenhorsesbirdslion
advanced study

Recreating this painting will help students develop skills in rendering complex textures like fur and feathers, as well as understanding atmospheric perspective in a landscape. It also provides practice in accurately depicting animal anatomy and creating a sense of depth through layering.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
1

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the major shapes and composition.

  2. step 02

    Establish the background landscape with thin washes of color, focusing on atmospheric perspective.

  3. step 03

    Block in the main animal shapes with basic color tones.

  4. step 04

    Start layering details on the animals, building up textures and refining forms.

  5. step 05

    Pay close attention to the light source and how it affects the highlights and shadows on each animal.

  6. step 06

    Work on the smaller details like eyes, feathers, and fur, using smaller brushes.

  7. step 07

    Refine the overall composition and color harmony, making adjustments as needed.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium yellow · cadmium red

Achieve the various browns and earth tones by mixing burnt umber with white, yellow, and red. Use ultramarine blue to create the peacock's feathers and to darken shadows.

techniques

  • ·glazing
  • ·scumbling
  • ·dry brushing
  • ·layering
  • ·chiaroscuro

common pitfalls

  • →Getting lost in the details too early without establishing the overall composition.
  • →Failing to create a sense of depth and atmosphere in the landscape.
  • →Overworking the details and losing the freshness of the brushstrokes.
  • →Inaccurate animal anatomy.

materials

surface · stretched canvas

required

  • ·stretched canvas 24x36
  • ·oil paints (burnt umber, raw sienna, titanium white, ivory black, ultramarine blue, cadmium yellow, cadmium red)
  • ·linseed oil
  • ·turpentine
  • ·assorted round and flat brushes (#2, #4, #6, #8)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·painting medium

Use a high-quality canvas primed for oil painting. Consider using a medium to improve the flow and blending of the oil paints.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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