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home·artworks·G. A. Berry, Mayor of Salisbury
G. A. Berry, Mayor of Salisbury by Robert Harris

plate no. 5934

G. A. Berry, Mayor of Salisbury

Robert Harris

oilRealismportraitportraitfiguremanclothingchainformal wear
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions and rendering skin tones. It also provides practice in depicting complex details like the mayoral chain.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, focusing on the head, shoulders, and overall pose.

  2. step 02

    Establish the background color with a thin wash of muted tones.

  3. step 03

    Block in the main areas of color for the face, clothing, and chain, paying attention to the overall value structure.

  4. step 04

    Begin refining the facial features, focusing on accurate placement and subtle value changes to create form.

  5. step 05

    Develop the details of the clothing, including the folds and textures of the fabric.

  6. step 06

    Carefully render the chain, paying attention to the highlights and shadows to create a sense of depth and dimension.

  7. step 07

    Add final details and highlights to the face and clothing to enhance realism.

  8. step 08

    Glaze with thin layers to unify the colors and create a smooth finish.

color palette

primary · titanium white · burnt umber · cadmium red · ivory black

secondary · yellow ochre · ultramarine blue · raw sienna

Skin tones are achieved by mixing white, red, umber, and ochre. The gold chain is created by layering yellow ochre, burnt sienna, and touches of white for highlights.

techniques

  • ·portrait drawing
  • ·color mixing for skin tones
  • ·glazing
  • ·rendering metallic surfaces
  • ·blending

common pitfalls

  • →Incorrect proportions in the initial sketch.
  • →Overmixing colors, resulting in muddy tones.
  • →Neglecting subtle value changes in the face.
  • →Oversimplifying the details of the chain.
  • →Applying paint too thickly.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·cadmium red oil paint
  • ·ivory black oil paint
  • ·yellow ochre oil paint
  • ·#2 round brush
  • ·#6 flat brush

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. A medium-sized canvas (e.g., 16x20 inches) is recommended.

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oil painting for beginners →how to learn by studying the masters →
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