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home·artworks·Future Monk
Future Monk by Nikolay Bogdanov-Belsky

plate no. 2553

Future Monk

Nikolay Bogdanov-Belsky, 1889

oilRealismgenre paintingfiguresinteriortableclothingroomlight
some experience helpful

Recreating this painting will help students develop skills in depicting realistic figures in an interior setting, as well as understanding how to create depth and atmosphere using subtle color variations and value changes.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, paying attention to the placement and proportions of the figures and furniture.

  2. step 02

    Establish the main light source and map out the areas of light and shadow.

  3. step 03

    Block in the large areas of color, focusing on the overall color harmony and temperature.

  4. step 04

    Begin refining the details of the figures, including the facial features, clothing folds, and hands.

  5. step 05

    Add details to the interior, such as the wood grain of the table and floor, and the textures of the clothing and objects.

  6. step 06

    Pay attention to the edges of objects and figures, softening or sharpening them as needed to create depth and atmosphere.

  7. step 07

    Glaze thin layers of color to adjust the values and hues, and to create a sense of depth and luminosity.

  8. step 08

    Add final highlights and details to bring the painting to life.

color palette

primary · burnt umber · raw sienna · titanium white · ivory black

secondary · ultramarine blue · cadmium red light · yellow ochre

Achieve the muted tones by mixing earth tones with white and small amounts of blue or red. Use thin glazes to build up color and create depth.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Getting the proportions of the figures wrong.
  • →Overworking the details and losing the overall sense of atmosphere.
  • →Using colors that are too bright or saturated.
  • →Failing to create a strong sense of light and shadow.

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·easel

Use high-quality oil paints for best results. Consider using a toned canvas to help establish the overall color harmony.

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oil painting for beginners →how to learn by studying the masters →
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