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home·artworks·Frozen Ice Landscape with Carriages and Boats
Frozen Ice Landscape with Carriages and Boats by Isaac van Ostade

plate no. 0989

Frozen Ice Landscape with Carriages and Boats

Isaac van Ostade, 1645

oil, woodBaroquegenre paintingfiguresiceboatsskytreeslandscape
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and rendering figures in a landscape setting. It also provides practice in capturing the subtle nuances of light and shadow on a winter scene.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 12 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the horizon line and major elements.

  2. step 02

    Establish the sky with broad washes of blue, grey, and yellow, blending for a soft, cloudy effect.

  3. step 03

    Block in the large shapes of the landscape, using muted browns and yellows for the foreground and lighter tones for the background.

  4. step 04

    Add the figures and boats, paying attention to their relative sizes and positions within the scene.

  5. step 05

    Develop the details of the ice, using short, broken brushstrokes to create texture and reflections.

  6. step 06

    Refine the details of the figures, adding highlights and shadows to define their forms.

  7. step 07

    Paint the bare tree branches, using a fine brush to create delicate lines.

  8. step 08

    Add final touches and highlights to enhance the overall sense of depth and atmosphere.

color palette

primary · raw umber · titanium white · Prussian blue

secondary · yellow ochre · burnt sienna · ivory black

Mix various shades of brown and grey by combining umber, black, white, and a touch of blue. Use yellow ochre and white to create highlights on the ice and figures.

techniques

  • ·scumbling
  • ·dry brushing
  • ·atmospheric perspective
  • ·glazing

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a sense of depth and distance.
  • →Using colors that are too bright or saturated.
  • →Ignoring the subtle variations in tone and texture.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·raw umber oil paint
  • ·Prussian blue oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·varnish

Use a medium-grain canvas for best results. Consider using a limited palette to simplify the color mixing process.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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