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From an artist studio, the old master judges the students' work by Jules Trayer

plate no. 3114

From an artist studio, the old master judges the students' work

Jules Trayer, 1851

oil, canvasRealismgenre paintingfiguresinteriorstudiopaintingportraitsartists
experienced study

Recreating this painting will help students develop skills in rendering figures in complex compositions and understanding the use of chiaroscuro to create depth and drama. Students will also learn to mix subtle color variations to depict different fabrics and textures.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
2

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch to establish the overall composition and placement of figures.

  2. step 02

    Block in the main shapes and values using a limited palette of earth tones.

  3. step 03

    Establish the light source and begin to build up the shadows and highlights.

  4. step 04

    Start refining the details of the figures, paying attention to the folds of the clothing and the expressions on their faces.

  5. step 05

    Work on the background elements, such as the furniture and the architectural details.

  6. step 06

    Continue to refine the details and adjust the values to create a sense of depth and atmosphere.

  7. step 07

    Add final highlights and details to bring the painting to life.

  8. step 08

    Glaze with thin layers of color to unify the painting and add depth.

color palette

primary · burnt umber · raw sienna · ivory black · titanium white

secondary · cadmium red · yellow ochre · viridian

Mix various shades of brown and gray by combining burnt umber, raw sienna, ivory black, and titanium white. Use cadmium red and yellow ochre to create warm flesh tones. Add viridian to create muted greens for the clothing and background.

techniques

  • ·chiaroscuro
  • ·glazing
  • ·underpainting
  • ·figure drawing
  • ·composition

common pitfalls

  • →Getting lost in the details too early.
  • →Failing to establish a strong value structure.
  • →Overworking the painting.
  • →Inaccurate proportions of the figures

materials

surface · stretched canvas

required

  • ·Stretched canvas 18x24
  • ·Burnt umber oil paint
  • ·Raw sienna oil paint
  • ·Ivory black oil paint
  • ·Titanium white oil paint
  • ·Cadmium red oil paint
  • ·Round brushes (sizes 2, 4, 6)
  • ·Flat brushes (sizes 4, 8)

optional

  • ·Palette knife
  • ·Linseed oil
  • ·Turpentine
  • ·Medium gloss

Use a high-quality canvas and oil paints for best results. Consider using a medium to thin the paint and improve its flow.

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oil painting for beginners →how to learn by studying the masters →
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