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home·artworks·Fray Pedro Machado
Fray Pedro Machado by Francisco de Zurbaran

plate no. 6668

Fray Pedro Machado

Francisco de Zurbaran

oilBaroquereligious paintingfigurerobebooktablereligious figurewriting
some experience helpful

Recreating this painting will help students develop skills in rendering realistic skin tones and depicting the subtle folds and highlights of draped fabric. It also provides practice in creating a sense of depth and atmosphere through careful value control.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figure, table, and background.

  2. step 02

    Establish the main areas of light and shadow with a thin wash of burnt umber.

  3. step 03

    Begin layering in the skin tones, focusing on the subtle variations in color and value.

  4. step 04

    Start building up the layers of the robe, paying attention to the way the fabric drapes and folds.

  5. step 05

    Paint the table and books, using a limited palette of reds and browns.

  6. step 06

    Refine the details of the face, hands, and writing.

  7. step 07

    Adjust the values and colors throughout the painting to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · burnt umber · yellow ochre

secondary · cadmium red · ivory black

Mix various shades of white with small amounts of yellow ochre and burnt umber to create the robe's color. Use burnt umber and ivory black for the background. Mix cadmium red with burnt umber for the table.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·underpainting

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to establish a strong value structure.
  • →Using colors that are too saturated.
  • →Ignoring the subtle shifts in color temperature.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (titanium white, burnt umber, yellow ochre, cadmium red, ivory black)
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette
  • ·palette knife
  • ·rags

optional

  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Allow each layer to dry before applying the next.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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