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home·artworks·Fray Pedro de Ona
Fray Pedro de Ona by Francisco de Zurbaran

plate no. 1071

Fray Pedro de Ona

Francisco de Zurbaran

oilBaroquereligious paintingfigurerobesbooktablereligious figureportrait
some experience helpful

Recreating this painting will help students develop skills in rendering fabric folds and achieving realistic skin tones. It also provides practice in creating a sense of depth through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Sketch the basic figure proportions and composition, paying attention to the placement of the figure, book, and table.

  2. step 02

    Block in the large shapes of the robe, hat, and background with thin washes of color.

  3. step 03

    Establish the darkest and lightest values in the robe to create a sense of form.

  4. step 04

    Begin layering and blending colors to create the subtle variations in the fabric folds.

  5. step 05

    Refine the facial features and skin tones, paying attention to the light and shadow.

  6. step 06

    Add details to the book, pen, and other accessories.

  7. step 07

    Adjust the overall values and colors to create a cohesive and harmonious painting.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · ivory black · titanium white · raw umber

secondary · viridian · cadmium yellow light · burnt sienna

Mix various shades of white with raw umber and a touch of burnt sienna to create the different tones in the robe. Use viridian and cadmium yellow light to achieve the green of the table cloth.

techniques

  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending
  • ·underpainting

common pitfalls

  • →Overworking the fabric folds, resulting in a stiff and unnatural appearance.
  • →Failing to create a strong sense of light and shadow, resulting in a flat and lifeless painting.
  • →Inaccurate proportions in the figure.
  • →Uneven blending of skin tones.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·viridian oil paint
  • ·cadmium yellow light oil paint
  • ·burnt sienna oil paint
  • ·assorted round and flat brushes

optional

  • ·palette knife
  • ·linseed oil
  • ·turpentine
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to improve blending and drying time.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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