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home·artworks·Frank W. Benson, Mrs. Henry Proctor Barbara and Francis, 1917
Frank W. Benson, Mrs. Henry Proctor Barbara and Francis, 1917 by Frank W. Benson

plate no. 0323

Frank W. Benson, Mrs. Henry Proctor Barbara and Francis, 1917

Frank W. Benson

oilRealismportraitfiguresportraitchildrendressgrandmotherfamily
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering realistic skin tones. It also provides practice in depicting fabric and creating a sense of depth through value and color.

technical profile

palette complexity
3
brushwork visibility
4
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the figures and background.

  2. step 02

    Establish the overall value structure with a thin wash of neutral color.

  3. step 03

    Begin blocking in the main colors of the skin, hair, and clothing, focusing on accurate color mixing.

  4. step 04

    Develop the facial features, paying close attention to the subtle variations in tone and color.

  5. step 05

    Refine the details of the clothing, including the folds and highlights.

  6. step 06

    Add the background details, ensuring they remain secondary to the figures.

  7. step 07

    Adjust the overall composition and values to create a sense of harmony and balance.

  8. step 08

    Add final highlights and details to complete the painting.

color palette

primary · titanium white · raw umber · burnt sienna · ivory black

secondary · cadmium yellow light · alizarin crimson · ultramarine blue

Mix various shades of skin tones using white, raw umber, burnt sienna, and a touch of alizarin crimson. Achieve the whites of the dresses by mixing white with small amounts of raw umber and yellow.

techniques

  • ·portrait painting
  • ·scumbling
  • ·glazing
  • ·color mixing
  • ·value studies

common pitfalls

  • →Overworking the details too early
  • →Incorrect proportions of the figures
  • →Muddying the colors by over-mixing
  • →Ignoring the subtle variations in skin tone

materials

surface · stretched canvas

required

  • ·stretched canvas 16x20
  • ·#2 round brush
  • ·#6 flat brush
  • ·titanium white oil paint
  • ·raw umber oil paint
  • ·burnt sienna oil paint
  • ·ivory black oil paint
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use high-quality oil paints for best results. Pre-toned canvas with a thin wash of raw umber can be helpful.

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oil painting for beginners →how to learn by studying the masters →
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