apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Francoise van Bever
Francoise van Bever by Theodoor van Thulden

plate no. 7414

Francoise van Bever

Theodoor van Thulden

oilBaroqueportraitportraitfiguresflowerscherubsdraperyjewelry
experienced study

Recreating this painting will help students develop skills in figure drawing, portraiture, and rendering complex floral arrangements. It also provides practice in creating a sense of depth and texture through layering and glazing.

technical profile

palette complexity
4
brushwork visibility
4
value contrast
3
compositional simplicity
2

study guide

est. 40 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement of the figure and cherubs.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Begin refining the portrait, paying attention to the likeness and subtle variations in skin tone.

  4. step 04

    Develop the floral arrangement, layering colors and textures to create depth.

  5. step 05

    Add details to the drapery and jewelry, using highlights and shadows to create form.

  6. step 06

    Refine the figures of the cherubs, paying attention to anatomy and proportion.

  7. step 07

    Glaze the painting to unify the colors and create a sense of atmosphere.

  8. step 08

    Add final details and highlights to complete the painting.

color palette

primary · ivory black · titanium white · cadmium red light · yellow ochre

secondary · ultramarine blue · burnt umber · alizarin crimson · sap green

Achieve skin tones by mixing white, red, yellow ochre, and a touch of burnt umber. Create the dark background by mixing ivory black and burnt umber. Mix various shades of pink, red, and yellow to create the flowers.

techniques

  • ·glazing
  • ·scumbling
  • ·layering
  • ·chiaroscuro
  • ·portraiture

common pitfalls

  • →Overworking the details too early in the process.
  • →Failing to create a strong sense of depth.
  • →Using colors that are too saturated or unnatural.
  • →Ignoring the importance of accurate proportions in figure drawing.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·cadmium red light oil paint
  • ·yellow ochre oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil
  • ·odorless mineral spirits

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. Consider toning the canvas with a thin wash of burnt umber before beginning.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne