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home·artworks·Francisco de Assis Peixoto Gomide
Francisco de Assis Peixoto Gomide by Jose Ferraz de Almeida Junior

plate no. 3306

Francisco de Assis Peixoto Gomide

Jose Ferraz de Almeida Junior, 1898

oilRealismportraitportraitfiguremanbeardclothingformal
some experience helpful

Recreating this portrait will help students develop skills in capturing likeness, understanding light and shadow on a face, and mixing realistic skin tones. It also offers practice in rendering textures like hair and fabric.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
5

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Lightly sketch the basic shapes and proportions of the head, shoulders, and clothing.

  2. step 02

    Establish the main areas of light and shadow on the face and clothing with thin washes of color.

  3. step 03

    Begin layering in more detail on the face, focusing on the eyes, nose, and mouth.

  4. step 04

    Develop the beard and hair, paying attention to the direction of the hair growth and the highlights.

  5. step 05

    Refine the clothing, adding details like the collar and bow tie.

  6. step 06

    Adjust the background, ensuring it complements the subject without being distracting.

  7. step 07

    Add final highlights and shadows to enhance the three-dimensionality of the portrait.

  8. step 08

    Glaze with thin layers to unify the colors and add depth.

color palette

primary · ivory black · burnt umber · raw sienna · titanium white

secondary · ultramarine blue · alizarin crimson

Mix skin tones by combining raw sienna, burnt umber, and titanium white, adjusting with small amounts of alizarin crimson and ultramarine blue for warmth and coolness. Use ivory black and ultramarine blue for the dark suit, adding white for highlights.

techniques

  • ·portrait sketching
  • ·value studies
  • ·color mixing
  • ·glazing
  • ·blending

common pitfalls

  • →Incorrect proportions leading to inaccurate likeness
  • →Overblending resulting in a flat appearance
  • →Using too much black, making the portrait look muddy
  • →Ignoring subtle color variations in the skin

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·burnt umber oil paint
  • ·raw sienna oil paint
  • ·titanium white oil paint
  • ·ultramarine blue oil paint
  • ·alizarin crimson oil paint
  • ·assorted brushes (round and flat)

optional

  • ·palette knife
  • ·linseed oil
  • ·odorless mineral spirits
  • ·medium gloss

Use a medium-sized canvas (e.g., 16x20 inches) for manageable detail. Consider using a limited palette to simplify color mixing.

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oil painting for beginners →how to learn by studying the masters →
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