apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Francis North, 1st Baron Guilford
Francis North, 1st Baron Guilford by John Riley

plate no. 4062

Francis North, 1st Baron Guilford

John Riley, 1682

oilBaroqueportraitportraitfigurerobeschaircrowndrapery
experienced study

Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures and drapery folds. Students will also learn about color mixing to achieve realistic skin tones and the subtle variations in the dark fabrics.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Create a preliminary sketch to establish the composition and proportions of the figure and objects.

  2. step 02

    Block in the main shapes and values using thin washes of color.

  3. step 03

    Develop the background, focusing on the subtle gradations of light and shadow.

  4. step 04

    Begin to refine the facial features, paying close attention to the highlights and shadows to create form.

  5. step 05

    Work on the clothing, building up layers of color to create the texture and folds of the fabric.

  6. step 06

    Add details to the lace collar, crown, and other decorative elements.

  7. step 07

    Refine the hands and other exposed skin, paying attention to the subtle variations in color.

  8. step 08

    Add final highlights and shadows to create depth and dimension.

color palette

primary · ivory black · raw umber · titanium white · yellow ochre

secondary · cadmium red · burnt sienna · gold

Mix skin tones by blending white, yellow ochre, and a touch of red. Achieve the dark blacks by mixing ivory black with a touch of raw umber or burnt sienna for warmth. Use thin glazes of burnt sienna and gold to create the metallic sheen of the robes and crown.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·drapery rendering
  • ·portrait sketching

common pitfalls

  • →Incorrect proportions in the figure.
  • →Overly harsh or flat lighting.
  • →Lack of detail in the facial features.
  • →Difficulty rendering the complex folds of the drapery.

materials

surface · stretched canvas

required

  • ·stretched canvas 18x24
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·cadmium red oil paint
  • ·burnt sienna oil paint
  • ·round brushes (sizes 2, 4, 6)

optional

  • ·palette knife
  • ·linseed oil
  • ·retouch varnish
  • ·medium gloss

Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Girl with a Straw Hat

Girl with a Straw Hat

Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten

Abraham Storck

Bathsheba Bathing

Bathsheba Bathing

Francesco Solimena

Repentant Peter

Repentant Peter

Guido Reni

Itinerant Musicians

Itinerant Musicians

Jacob Ochtervelt

Marie Christine

Marie Christine

Marcello Bacciarelli

Santa Cecilia E Due Angeli

Santa Cecilia E Due Angeli

Giulio Cesare Procaccini

Scene from the Life of Saint Benedict

Scene from the Life of Saint Benedict

Philippe de Champaigne