
plate no. 4062
John Riley, 1682
Recreating this painting will help students develop skills in portraiture, including accurate proportions and capturing likeness, as well as rendering complex textures and drapery folds. Students will also learn about color mixing to achieve realistic skin tones and the subtle variations in the dark fabrics.
technical profile
approach — 8 steps
Create a preliminary sketch to establish the composition and proportions of the figure and objects.
Block in the main shapes and values using thin washes of color.
Develop the background, focusing on the subtle gradations of light and shadow.
Begin to refine the facial features, paying close attention to the highlights and shadows to create form.
Work on the clothing, building up layers of color to create the texture and folds of the fabric.
Add details to the lace collar, crown, and other decorative elements.
Refine the hands and other exposed skin, paying attention to the subtle variations in color.
Add final highlights and shadows to create depth and dimension.
color palette
primary · ivory black · raw umber · titanium white · yellow ochre
secondary · cadmium red · burnt sienna · gold
Mix skin tones by blending white, yellow ochre, and a touch of red. Achieve the dark blacks by mixing ivory black with a touch of raw umber or burnt sienna for warmth. Use thin glazes of burnt sienna and gold to create the metallic sheen of the robes and crown.
techniques
common pitfalls
surface · stretched canvas
required
optional
Use high-quality oil paints for best results. Consider using a medium to thin the paints and improve blending.
tips & new artworks in your inbox
no spam — unsubscribe anytime.
or to save artworks, chat, and track progress
in this vein

Girl with a Straw Hat
Judith Leyster

Gezicht Op De Laurenskerk Gezien Vanuit Noordoosten
Abraham Storck

Bathsheba Bathing
Francesco Solimena

Repentant Peter
Guido Reni

Itinerant Musicians
Jacob Ochtervelt

Marie Christine
Marcello Bacciarelli

Santa Cecilia E Due Angeli
Giulio Cesare Procaccini

Scene from the Life of Saint Benedict
Philippe de Champaigne