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Frances Russell by John Riley

plate no. 8414

Frances Russell

John Riley

oilBaroqueportraitportraitfiguredresshead coveringfemale
some experience helpful

Recreating this painting will help students develop skills in portraiture, including capturing likeness and rendering skin tones, as well as understanding how to create depth using subtle value changes in darker areas.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
4
compositional simplicity
4

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic shapes of the head, shoulders, and head covering, paying attention to proportions.

  2. step 02

    Block in the background with a dark, muted color, establishing the overall value range.

  3. step 03

    Begin layering in the skin tones, starting with mid-tones and gradually adding highlights and shadows.

  4. step 04

    Paint the dress, focusing on the folds and drapery, and use darker values to create depth.

  5. step 05

    Add the white collar, paying attention to the subtle variations in value and texture.

  6. step 06

    Refine the facial features, focusing on capturing the likeness and expression.

  7. step 07

    Add details to the head covering, using soft brushstrokes to create a sense of volume.

  8. step 08

    Make final adjustments to the values and colors to create a cohesive and realistic portrait.

color palette

primary · ivory black · titanium white · yellow ochre · burnt umber

secondary · emerald green · alizarin crimson

Mix skin tones by blending white, yellow ochre, and a touch of red. Achieve the dark greens by mixing black and green, adding umber for muting. The blacks are not pure, but mixed with umber and a touch of green.

techniques

  • ·portraiture
  • ·glazing
  • ·chiaroscuro
  • ·blending
  • ·value studies

common pitfalls

  • →Overworking the skin tones, resulting in a flat or lifeless appearance.
  • →Failing to capture the likeness of the subject.
  • →Using too much contrast, making the portrait look harsh.
  • →Ignoring the subtle variations in value and color.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·ivory black oil paint
  • ·titanium white oil paint
  • ·yellow ochre oil paint
  • ·burnt umber oil paint
  • ·emerald green oil paint
  • ·round brushes (sizes 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A medium-grit canvas will provide a good surface for blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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