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home·artworks·Frances Pierrepont, Duchess of Newcastle (1630-1695)
Frances Pierrepont, Duchess of Newcastle (1630-1695) by Mary Beale

plate no. 8251

Frances Pierrepont, Duchess of Newcastle (1630-1695)

Mary Beale

oil, canvasBaroqueportraitportraitfigureclothingframehair
some experience helpful

Recreating this painting will help students develop skills in portraiture, including accurate proportions, skin tone mixing, and rendering fabric folds. It also provides practice in creating a sense of depth and form through subtle value changes.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
4

study guide

est. 20 hrs

approach — 8 steps

  1. step 01

    Create a light sketch outlining the basic shapes and proportions of the figure and frame.

  2. step 02

    Block in the background with a thin layer of burnt umber and raw sienna.

  3. step 03

    Establish the main skin tones using a limited palette of white, yellow ochre, and a touch of red.

  4. step 04

    Begin layering the clothing, focusing on the highlights and shadows to create form.

  5. step 05

    Work on the hair, using small brushstrokes to define the curls and texture.

  6. step 06

    Refine the facial features, paying close attention to the eyes, nose, and mouth.

  7. step 07

    Add details to the frame, using darker values to create depth and dimension.

  8. step 08

    Add final highlights and shadows to enhance the overall realism.

color palette

primary · titanium white · burnt umber · yellow ochre · ultramarine blue

secondary · cadmium red light · raw sienna

Skin tones are achieved by mixing white, yellow ochre, and a touch of red. The blue fabric is created by mixing ultramarine blue with white and a touch of burnt umber for shadows. The background is a mix of burnt umber and raw sienna, lightened with white.

techniques

  • ·portraiture
  • ·blending
  • ·glazing
  • ·scumbling
  • ·color mixing

common pitfalls

  • →Incorrect proportions of the face and body.
  • →Overly harsh or muddy skin tones.
  • →Flat or lifeless rendering of the fabric.
  • →Neglecting the subtle value changes that create form.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·burnt umber oil paint
  • ·yellow ochre oil paint
  • ·ultramarine blue oil paint
  • ·cadmium red light oil paint
  • ·round brushes (various sizes)
  • ·palette

optional

  • ·palette knife
  • ·linseed oil
  • ·medium gloss
  • ·raw sienna oil paint

Use high-quality oil paints for best results. A medium-sized canvas (16x20 or 18x24) is recommended.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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