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home·artworks·François Marie De Broglie
François Marie De Broglie by Hyacinthe Rigaud

plate no. 4840

François Marie De Broglie

Hyacinthe Rigaud

oilBaroqueportraitportraitfigurearmorclothingwigsky
experienced study

Recreating this painting will help students develop skills in portraiture, particularly in rendering realistic skin tones and metallic surfaces. It also provides practice in capturing the textures of fabric and fur.

technical profile

palette complexity
4
brushwork visibility
3
value contrast
4
compositional simplicity
3

study guide

est. 25 hrs

approach — 8 steps

  1. step 01

    Begin with a light sketch outlining the figure's pose and proportions.

  2. step 02

    Block in the background with broad strokes of muted colors.

  3. step 03

    Establish the basic shapes and values of the face, focusing on accurate placement of features.

  4. step 04

    Start building up the armor, paying close attention to the highlights and shadows that define its form.

  5. step 05

    Add the details of the clothing and fur, using smaller brushes and finer strokes.

  6. step 06

    Refine the facial features, adding subtle details to capture the likeness of the subject.

  7. step 07

    Adjust the overall values and colors to create a sense of depth and atmosphere.

  8. step 08

    Add final highlights and details to the armor and clothing.

color palette

primary · titanium white · ivory black · raw umber · cadmium red light

secondary · ultramarine blue · yellow ochre · burnt sienna

Achieve skin tones by mixing white, red, yellow ochre, and a touch of umber. Create the metallic sheen of the armor by layering grays and blacks with highlights of white and yellow ochre.

techniques

  • ·portraiture
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·rendering metal

common pitfalls

  • →Inaccurate proportions in the initial sketch.
  • →Overblending skin tones, resulting in a flat appearance.
  • →Failing to capture the reflective qualities of the armor.
  • →Ignoring subtle value changes in the background.
  • →Getting lost in details too early.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·titanium white oil paint
  • ·ivory black oil paint
  • ·raw umber oil paint
  • ·cadmium red light oil paint
  • ·ultramarine blue oil paint
  • ·round brushes (sizes 0, 2, 4, 6)
  • ·linseed oil

optional

  • ·palette knife
  • ·medium gloss
  • ·retouch varnish

Use high-quality oil paints for best results. A smooth canvas surface will allow for easier blending.

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related guides

oil painting for beginners →chiaroscuro →how to learn by studying the masters →
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