apprentice
artistsserieslearnchatartworkscommunity gallery
apprentice

deliberate practice for serious artists

aboutgalleryprivacyterms
built by reducibl.com
home·artworks·Fragment from the "Children's Concert"
Fragment from the "Children's Concert" by Georgios Jakobides

plate no. 4939

Fragment from the "Children's Concert"

Georgios Jakobides, 1899

oilRealismgenre paintingchildrentrumpetwindowplantsinteriorfigures
some experience helpful

Recreating this painting will help students develop skills in rendering figures in a muted palette and capturing subtle light and shadow variations. It also provides practice in creating a sense of depth and atmosphere through color and value.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 15 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the placement and proportions of the figures and the window.

  2. step 02

    Establish the background with a thin wash of muted blues and grays.

  3. step 03

    Block in the main shapes of the figures with darker values, paying attention to the light source.

  4. step 04

    Begin to refine the forms of the figures, adding highlights and shadows to create volume.

  5. step 05

    Develop the details of the faces, hands, and clothing, using small brushstrokes.

  6. step 06

    Paint the plants and pots on the windowsill, adding subtle color variations.

  7. step 07

    Add the final details, such as the trumpet and the reflections in the window.

  8. step 08

    Adjust the values and colors as needed to create a cohesive and harmonious painting.

color palette

primary · gray · blue-gray · brown · ochre

secondary · muted orange · white · dark blue

Achieve the muted tones by mixing complementary colors (e.g., blue and orange, brown and blue) with white. Use a limited palette to maintain color harmony.

techniques

  • ·underpainting
  • ·glazing
  • ·scumbling
  • ·chiaroscuro
  • ·blending

common pitfalls

  • →Overworking the details too early
  • →Using colors that are too bright or saturated
  • →Failing to establish a strong value structure
  • →Ignoring the subtle color variations in the shadows

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints (gray, blue-gray, brown, ochre, white, dark blue, muted orange)
  • ·palette
  • ·linseed oil
  • ·turpentine
  • ·assorted brushes (round and flat)
  • ·palette knife

optional

  • ·medium gloss
  • ·painting easel
  • ·rags

Use a medium-grain canvas for best results. Consider using a toned canvas to help establish the overall color scheme.

tips & new artworks in your inbox

no spam — unsubscribe anytime.

or to save artworks, chat, and track progress

related guides

oil painting for beginners →how to learn by studying the masters →
chat about this artwork

in this vein

related artworks

Portrait of James Wright

Portrait of James Wright

Thomas Eakins

Portrait of a lady

Portrait of a lady

Karl Gussow

Sisters

Sisters

Émile Auguste Hublin

Catching Up on the News

Catching Up on the News

Eastman Johnson

At the porter's room

At the porter's room

Vladimir Makovsky

Flowers and Fruit

Flowers and Fruit

Henri Fantin-Latour

Valle de México desde el Molino del Rey

Valle de México desde el Molino del Rey

Jose Maria Velasco

Self-Portrait II

Self-Portrait II

Mihaly Munkacsy