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home·artworks·Från Mitt Fönster I Cannes
Från Mitt Fönster I Cannes by Albert Edelfelt

plate no. 0026

Från Mitt Fönster I Cannes

Albert Edelfelt

oilRealismlandscapeseaskyfiguresbuildingspromenadevegetation
some experience helpful

Recreating this painting will help students develop skills in atmospheric perspective and color mixing to create depth. It also provides practice in depicting figures and architectural elements in a loose, impressionistic style.

technical profile

palette complexity
3
brushwork visibility
3
value contrast
3
compositional simplicity
3

study guide

est. 10 hrs

approach — 8 steps

  1. step 01

    Sketch the basic composition, focusing on the horizon line and the placement of major elements like the buildings, sea, and promenade.

  2. step 02

    Block in the sky with light blues and whites, using soft, blended brushstrokes.

  3. step 03

    Establish the sea with varying shades of blue and green, indicating wave movement with horizontal strokes.

  4. step 04

    Paint the distant mountains and buildings with muted colors, emphasizing atmospheric perspective.

  5. step 05

    Lay in the base colors for the promenade, using a mix of pinks, browns, and grays.

  6. step 06

    Add details to the figures, keeping them simple and stylized.

  7. step 07

    Paint the vegetation in the foreground with loose, expressive brushstrokes, varying the greens and browns.

  8. step 08

    Refine the details and adjust the values to create a sense of depth and atmosphere.

color palette

primary · cerulean blue · titanium white · raw umber · cadmium red light

secondary · viridian green · yellow ochre · ultramarine blue

Mix greens by combining blues and yellows, and create muted tones by adding a touch of complementary color. Achieve the pinkish tones of the promenade by mixing white with a small amount of red and brown.

techniques

  • ·atmospheric perspective
  • ·broken color
  • ·scumbling
  • ·wet-on-wet blending
  • ·simplified figure painting

common pitfalls

  • →Overworking the details, losing the loose, impressionistic feel.
  • →Failing to create sufficient depth through color and value changes.
  • →Making the figures too detailed or realistic.
  • →Inaccurate perspective of the buildings and promenade.

materials

surface · stretched canvas

required

  • ·stretched canvas
  • ·oil paints
  • ·palette
  • ·palette knife
  • ·assorted brushes (round and flat)
  • ·linseed oil
  • ·turpentine
  • ·rags

optional

  • ·painting medium
  • ·easel
  • ·varnish

Use a medium-grain canvas for best results. Consider using a fast-drying medium to speed up the drying time.

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oil painting for beginners →how to learn by studying the masters →
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